Given that such effects are available in both the higher-level Nikon D5100 and the Coolpix P7100, their absence in the D3200 is unexpected. And, while they're not an essential feature by any means, they're nice to have, especially in a camera at this level. Since Olympus introduced its Art Filters to the E-30 back in 2008, processing filters have become increasingly common on most cameras. It also features a simplified version of the Active D-Lighting function that is now common across Nikon's DSLR range.Īlso missing, oddly, are live view in-camera filter effects. As usual for Nikons at this level, the D3200 doesn't feature a built-in focus motor, and nor does it offer auto exposure bracketing. Pixel-count aside, the changes from the predecessor D3100 are subtle but, with 1080p30 video, a 920k dot LCD and the option to add an affordable Wi-Fi transmitter, there are clear benefits over the D3100's specification. The D3200 may not exactly be revolutionary, but it doesn't have to be. More significant than the bare fact of the D3200's pixel count though is that it is available in camera with a starting price of $699 (the same launch price as the D3100 and Panasonic Lumix DMC-C G3, for comparison). The camera's headline feature is inevitably the new 24MP CMOS sensor which makes it equal to Sony's Alpha SLT-A65, A77 and NEX-7 in offering the highest pixel count we've yet seen at the APS-C sensor size, and in terms of output resolution, second only to the full-frame professional-grade D800 in Nikon's entire range. The D3200 represents the latest generation of Nikon's entry-level DSLR offering.
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